Eight Things You Can Do to Stop #ICE
2025-02-11, via #CrimethInc
"The #Trump administration is paving the way for #MassDeportations by building new #PrisonCamps and invoking the #AlienEnemiesAct, which was used to justify the internment of #JapaneseAmericans during World War II. Motivated by nativism and white nationalism, Steven Miller and other officials are attempting to ethnically cleanse the United States, while tech and prison companies profit on lucrative government contracts and corporations continue to exploit immigrant labor. Knowing that mass deportations will inflict devastating costs, Trump has chiefly been concentrating his efforts in cities like Chicago and Denver that are governed by his political adversaries.
"Nonetheless, people are getting organized. Communities across the US are mobilizing rapid response networks that can respond to raids and support those targeted by #StateViolence. Students across the US are staging #walkouts; people are holding mass #demonstrations and fighting back against deportations.
"If we fail to stand in solidarity with those targeted by Immigration and Customs Enforcement (ICE) today, the same infrastructure of repression will eventually be turned against others, as well. An injury to one is an injury to all!
"Do your part to melt the ICE."
Read more:
https://crimethinc.com/2025/02/11/eight-things-you-can-do-to-stop-ice
#KnowYourRights #ResistICE #Mobilization #USPol #Resistance
![The image shows an interior space with exposed wooden beams and rafters on the ceiling, creating a rustic atmosphere. Dominating the center of the room is a large industrial pipe system attached to two vertical metal supports that resemble pillars. The pipes appear to be part of some mechanical or ventilation apparatus.
In front of this setup sits a vintage wood-burning stove on its legs with an open door and visible ash inside, suggesting it hasn't been used recently. To the right stands a wooden barrel resting on a platform, possibly for storage purposes. Next to the stool is another smaller barrel that seems to be in disrepair.
In the foreground, there's a young child sitting beside one of these barrels. The child appears contemplative and somewhat distant from their surroundings, adding an emotional layer to this otherwise utilitarian space.
The overall scene evokes a sense of nostalgia for simpler times or perhaps hints at abandonment due to its unkempt state. This photograph is part of the collection titled "Stoves in former country church now used as residence," which suggests that what once was likely a communal and social building has been repurposed, with some elements still retaining their historical significance.
The black-and-white nature of the photo enhances its vintage feel and focuses on textures rather than colors. The image is credited to Dorothea Lange (1895–1965), an American photographer known f [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/959/054/232/866/266/original/2e6d9b4f467c8f1f.jpeg "The image shows an interior space with exposed wooden beams and rafters on the ceiling, creating a rustic atmosphere. Dominating the center of the room is a large industrial pipe system attached to two vertical metal supports that resemble pillars. The pipes appear to be part of some mechanical or ventilation apparatus.
In front of this setup sits a vintage wood-burning stove on its legs with an open door and visible ash inside, suggesting it hasn't been used recently. To the right stands a wooden barrel resting on a platform, possibly for storage purposes. Next to the stool is another smaller barrel that seems to be in disrepair.
In the foreground, there's a young child sitting beside one of these barrels. The child appears contemplative and somewhat distant from their surroundings, adding an emotional layer to this otherwise utilitarian space.
The overall scene evokes a sense of nostalgia for simpler times or perhaps hints at abandonment due to its unkempt state. This photograph is part of the collection titled \"Stoves in former country church now used as residence,\" which suggests that what once was likely a communal and social building has been repurposed, with some elements still retaining their historical significance.
The black-and-white nature of the photo enhances its vintage feel and focuses on textures rather than colors. The image is credited to Dorothea Lange (1895–1965), an American photographer known f [...]")
![The image shows a black and white photograph dated April 1942 in San Francisco, California. It depicts several individuals gathered closely together during what appears to be an official setting or event related to the war relocation authority's activities.
In the center of the photo is a man wearing glasses and dressed formally in a suit with pinstripes. He has dark hair pulled back neatly and seems to be bending slightly towards someone out of view, possibly engaging in conversation or providing information.
Around him are other men who seem engaged in similar interactions, suggesting that this might have been an event where people were being briefed about their accommodations during the war relocation process. Some individuals appear focused on papers held by one another, indicating a possible exchange of documents related to housing assignments.
The text at the top indicates that it is from San Francisco, California and provides context for what appears to be wartime activities involving Japanese American citizens or those with ancestry connected to Japan who were being evacuated due to internment policies. It mentions an individual receiving information on evacuation details for war relocation centers during World War II.
Additional annotations include a code "LG-OBH-5630A" and mention of the photographer, Long, likely Dorothea Lange given her involvement in documenting this period through photography. The image [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/859/491/946/546/697/original/413e9f8763d5f8d1.jpeg "The image shows a black and white photograph dated April 1942 in San Francisco, California. It depicts several individuals gathered closely together during what appears to be an official setting or event related to the war relocation authority's activities.
In the center of the photo is a man wearing glasses and dressed formally in a suit with pinstripes. He has dark hair pulled back neatly and seems to be bending slightly towards someone out of view, possibly engaging in conversation or providing information.
Around him are other men who seem engaged in similar interactions, suggesting that this might have been an event where people were being briefed about their accommodations during the war relocation process. Some individuals appear focused on papers held by one another, indicating a possible exchange of documents related to housing assignments.
The text at the top indicates that it is from San Francisco, California and provides context for what appears to be wartime activities involving Japanese American citizens or those with ancestry connected to Japan who were being evacuated due to internment policies. It mentions an individual receiving information on evacuation details for war relocation centers during World War II.
Additional annotations include a code \"LG-OBH-5630A\" and mention of the photographer, Long, likely Dorothea Lange given her involvement in documenting this period through photography. The image [...]")
![The image is a black and white photograph depicting an urban street scene from San Francisco, California in April 1942. The setting appears to be the historic business district on Post Street within a neighborhood that was previously inhabited by Japanese Americans before their evacuation and housing in War Relocation Authority centers during World War II.
Several old-fashioned buildings with ornate architectural details line both sides of the street. Storefronts, including Nippon Ora Co., Chop Suey, Ching's Drug Company, and Cherryland Hardware store, are visible along the storefront windows. The businesses have signs in English alongside Japanese language text, indicating their diverse customer base.
The streetscape features a row of parked cars from an earlier era, suggesting that this photo was taken during or shortly after World War II when such vehicles were common on American roads. There's also a streetcar visible further down the road and pedestrians walking along the sidewalks.
Above the photograph is handwritten text providing context for its historical significance: "San Francisco, Calif. Apr 1942," followed by additional notes about Japanese ancestry residents before evacuation and housing in war relocation authority centers during World War II. The handwriting indicates that it was possibly recorded or transcribed by someone who had seen this photo at a later date.
The photograph appears to be an origin [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/857/604/450/940/940/original/692db6c14e6f67ce.jpeg "The image is a black and white photograph depicting an urban street scene from San Francisco, California in April 1942. The setting appears to be the historic business district on Post Street within a neighborhood that was previously inhabited by Japanese Americans before their evacuation and housing in War Relocation Authority centers during World War II.
Several old-fashioned buildings with ornate architectural details line both sides of the street. Storefronts, including Nippon Ora Co., Chop Suey, Ching's Drug Company, and Cherryland Hardware store, are visible along the storefront windows. The businesses have signs in English alongside Japanese language text, indicating their diverse customer base.
The streetscape features a row of parked cars from an earlier era, suggesting that this photo was taken during or shortly after World War II when such vehicles were common on American roads. There's also a streetcar visible further down the road and pedestrians walking along the sidewalks.
Above the photograph is handwritten text providing context for its historical significance: \"San Francisco, Calif. Apr 1942,\" followed by additional notes about Japanese ancestry residents before evacuation and housing in war relocation authority centers during World War II. The handwriting indicates that it was possibly recorded or transcribed by someone who had seen this photo at a later date.
The photograph appears to be an origin [...]")