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#klassik

23 posts16 participants0 posts today
Public
Bauer Winter :misskey:

Jetzt #Zwischenstille und den Furchheim auf die Ohren. 🎧
#Klassik
#Barock
#classicalmusic
https://echostreamz.com/watch?v=l5yeKVT84Fc

Thomas Dawkins | InvidiousFurchheim: Suite in a minor for five recorders and keyboard0:00 I. Praeludium 1:00 II. Alemande 2:46 III. Courant 4:19 IV. Saraband 5:56 V. Gigue Little is known about Johann Wilhelm Furchheim (ca. 1635-1682) other than that he studied with Heinrich Schütz and that he lived and worked his entire life in Dresden, including at the court. This suite was originally scored for five unspecified instruments but the ranges point to strings, probably two violins, two violas, and 'cello. This version was arranged by Christian Mondrup (born 1947) and his late wife Annette, both of whom have edited and arranged hundreds of works and put all of their work into the public domain. It is a Baroque dance suite with several of the typical elements, though lacking the paired dances that Bach and later composer would put between the Sarabande and the Gigue, which can be minuets, passepieds, gavottes, bourrées, or anything fairly fast. Playing this piece feels very much like playing an updated consort piece with the addition of the keyboard part.
Public
Bauer Winter :misskey:

Aus Anlass seines heutigen Geburtstages - Anne Danican Philidor:
"From CD 'Doux Rossignols' (Titanic, Ti266)
ENSEMBLE LA DAUPHINE
Sabine d'Hont, recorder
Johannes Boer, viola da gamba
Pieter-Jan Belder, harpsichord

Anne Danican Philidor (1681-1728)
Suite II in D major
for voice-flute/soprano recorder and basso continuo
Les songes
Le moulin de Tavelle
La Gratieuse
Dame Ragonde
Rondeau ensuiteAnne Danican Philidor - Suite II in D major - Ensemble la Dauphine"
#Klassik
#Barock
#classicalmusic
#OTD
https://echostreamz.com/watch?v=OnJi9ClrpOA

Sabine d'Hont | InvidiousAnne Danican Philidor - Suite II in D major - Ensemble la DauphineFrom CD 'Doux Rossignols' (Titanic, Ti266) ENSEMBLE LA DAUPHINE Sabine d'Hont, recorder Johannes Boer, viola da gamba Pieter-Jan Belder, harpsichord Anne Danican Philidor (1681-1728) Suite II in D major for voice-flute/soprano recorder and basso continuo - Les songes - Le moulin de Tavelle - La Gratieuse - Dame Ragonde - Rondeau ensuite https://www.pieterjanbelder.nl/ https://www.sabinedhont.nl/
Public
Alex Kahl

Jacob Collier improvisiert mit einem Orchester und ich bekomme 18 Minuten lang das Grinsen nicht aus dem Gesicht
Mit Sicherheit einer der genialsten lebenden Musiker

Aber vor allem einer, der Spaß an der Musik vermitteln kann

Großartig

Und auch krass, wie schnell die einzelnen Musiker.innen seine Konzert-Töne i
blog.lxkhl.com/jacob-collier-i
#JacobCollier #Klassik #Orchester

🧠 Digitales Fun(d)büro für mein zukünftiges Ich - LXKHL · Jacob Collier improvisiert mit einem Orchester und ich bekomme 18 Minuten lang das Grinsen nicht aus dem Gesicht - 🧠 Digitales Fun(d)büro für mein zukünftiges Ich - LXKHLMit Sicherheit einer der genialsten lebenden Musiker Aber vor allem einer, der Spaß an der Musik vermitteln kann Großartig Und auch krass, wie schnell die einzelnen Musiker.innen seine Konzert-Töne in ihr Instrument umsetzen können Ach schon beeindruckend alles.
Public
Sisters of Comedy- Nachgelacht

Sisters go #fediverse
Wir stellen jeden Tag eine tolle Frau unserer Community vor! 👍
Kennt ihr schon
@franziska_dannheim ?
Sie ist eine #Geschichten Erzählerin in #Wort & #Schrift, #Melodie und #Klang.
Ein rundum Unterhaltungspaket von #Klassik, über #Tango bis hin zur #MusikComedy.

Sie ist schon ein klitzekleines bisschen länger #neuhier und wahnsinnig nett 🙂.
Schaut mal: 👇
franziskadannheim.de/singen/
#flinta #frauen #gleichstellung #frauenrechte #musik #literatur #lesung #kabarett #comedy

Public
Hiker
Robert Schumann (1810-1856) – Sonate für Klavier in g-moll n.2 op.22
#musik #klassik #classical #classicalmusic
@music
@classicalmusic
https://echostreamz.com/watch?v=Ke8flof_wCg
Wilh3lm | InvidiousRobert Schumann - Piano Sonata No. 2, Op. 22Performer: Martha Argerich Audio source: https://www.youtube.com/watch?v=UjlO0ABn3vQ 1. So rasch wie möglich - Schneller - Noch schneller (As quickly as possible - Faster - FASTER STILL) 0:00 2. Andantino. Getragen (Solemn) 5:40 3. Scherzo. Sehr rasch und markiert (Very quick and marked) 10:44 4. Rondo. Presto - Prestissimo 12:17 The Piano Sonata No. 2 in G minor, Op. 22 was composed by Robert Schumann from 1830 to 1838. It was his last full-length attempt at the sonata genre, the other completed ones being the Piano Sonata No. 1 in F sharp minor (Op. 11) and the Piano Sonata No. 3 in F minor (Op. 14); he later wrote Three Piano Sonatas for the Young Op. 118. Because it was published before the F minor sonata, it was given an earlier sequence number (No. 2) but still kept its later opus number (Op. 22). This has caused confusion, and recordings of the G minor Sonata have sometimes been published as "Sonata No. 3". There was also an earlier sonata in F minor, which Schumann abandoned; this is sometimes referred to as "Sonata No. 4". Among his sonatas, this one is very frequently performed and recorded. Because of its great variety and highly virtuosic demands, it is enjoyed both by audiences and performers alike. Clara Schumann claimed to be "endlessly looking forward to the second sonata", but nevertheless Robert revised it several times. At Clara Schumann's request, the original finale, marked "Presto passionato" was replaced with a less difficult movement in 1838. Clara considered it “not too incomprehensible,” though she admitted that she would “play it if necessary, but the masses, the public, and even the connoisseurs for whom one is really writing, don’t understand it.” The Andantino of the sonata is based on Schumann's early song "Im Herbste"; Jensen describes the first movement as having "a concern with motivic structure". It is dedicated to Schumann's friend the pianist Henriette Voigt and was published in September 1839. Information from Wikipedia https://en.wikipedia.org/wiki/Piano_Sonata_No._2_(Schumann), released under Creative Commons Attribution-ShareAlike 3.0
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