[ #ListeningTo #TheContinentalCoEts – I Don't Love You No More (on "Glimpses Volume 2" #Compilation) https://inv.nadeko.net/watch?v=I8iRwMBXIF0 #Hey! #WellingtonRecords #USofA #1982 (Track originally released in #1966) #GarageRock ]
[ #ListeningTo #TheContinentalCoEts – I Don't Love You No More (on "Glimpses Volume 2" #Compilation) https://inv.nadeko.net/watch?v=I8iRwMBXIF0 #Hey! #WellingtonRecords #USofA #1982 (Track originally released in #1966) #GarageRock ]
Released today 45 years ago: The Cramps "Songs The Lord Taught Us" - 1980
#psychobilly #punkrock #garagerock #vinyl #music #vinylrecords #vinylcollection #vinylcollector #vinylcollectors
Check out my friends #halloween themed #rockabilly #surfrock #garagerock ep
SHEDONIST – Young, Dumb & Stupid
#Alternative #Rock #alternativerock #classicrock #garagerock #grunge #indie #indierock #poprock #rockandroll #LosAngeles
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://shedonist.bandcamp.com/album/young-dumb-stupid
Free download codes:
Tea Eater - I Don't Believe in Bad Luck
"Tea Eater's I Don't Believe in Bad luck is a chaotic, high-energy blast of art-punk mayhem, turning superstitions on their head with razor-sharp riffs and rebellious charm."
The Bug Club / On The Intricate Inner Workings Of The System (2024); Das dritte Studioalbum der walisischen Band The Bug Club, die mittlerweile allerdings zum Duo bestehend aus Tilly Harris und Sam Willmett geschrumpft ist. Musikalisch präsentiert die Band eine Mischung aus Garage-Rock, der an die Modern Lovers erinnert, kombiniert mit dem call-and-response-Stil der B-52's. #TheBugClub #BugClub #TillyHarris #SamWillmett #AlternativeRock #GarageRock #PostPunk #IndieRock #SubPop
Dracula Flow – Everything Goes in Circles
Heavy, lo-fi garage psych and swamp boogie, like Hawkwind or Spaceman 3 jamming with the Cramps.
https://hauntcoreindustries.bandcamp.com/album/dracula-flow-in-everything-goes-in-circles
@chaostv.bsky.social
https://www.etherdiver.com/2025/03/21/opm-gods-and-vampires/#DraculaFlow
Free download codes:
Matt DeMello - Cassandra Abandoned, I & II [Marion's Version]
"A spectacular one-man cabaret show"
Enjoy some Other People's Music this fine evening! This batch includes crusty garage psych, hyperpop dipped in Greek mythos, creepy soundscape, experimental techno and retro early '90s alt rock.
https://www.etherdiver.com/2025/03/21/opm-gods-and-vampires/
The Bug Club anuncia su nuevo álbum, Very Human Features.
Sale el 13 de junio a través de Sub Pop Records.
Con 13 canciones, el álbum promete ser una visión más profunda de su sonido y estilo.
#TheBugClub #GarageRock #MúsicaNueva #Música #Music
https://www.youtube.com/watch?v=PlVVgwNpRAI
https://noticieromusical.com/the-bug-club-anuncia-su-cuarto-album-con-jealous-boy
#szarpidructwo #garagerock #noiserock #garagepunk #potworyiludzie
garaże gitary, od 20:00, https://pawarotaradio.pl/
Prowadzi Luciano.
Dobrego odbioru!
Free download codes:
The Hypnatwists - "Have a Good Show"
"New EP 'Have a Good Show' makes noise beyond the garage!"
#DenTagStarten
#music
Heute mit #GarageRock
The Raveonettes - And Lovers Came
https://echostreamz.com/watch?v=kFzR_hJxDT4
THE REMAINS ON PBS
Mastodon Post
We had nothing quite like The Remains until this band came along. Widely known for loudness - loudest band I ever heard was a common expression - The Remains ought to be at least as well known for tightness. One of the bootlegs had a track that, no doubt, was not intended for the public to hear. Vern's bass started out too loud, Barry's vocal was a little tentative. It sounded to me like a song they had just reworked and they recorded it promptly to get the arrangement down for reference in future sessions. Then they came to the refrain and the four just hammered it in really close formation. They transformed instantly from four guys working out a song to THE REMAINS ready to take on the world. It was a terrific thing to hear. Some of the available film footage shows a young Vern Miller characteristically hopping about on stage and Barry answering with hops of his own. "Remains Nights" at the early-1960s incarnation of The Rat were where Boston's highly productive rock scene got its start. When Chip Damiani left the band in the lead-up to the Beatles tour, The Remains added a remarkable drummer, ND Smart II. ND was subsequently in a John Hall group, Kangaroo; and then he was in one of my all-time favorite bands, The Great Speckled Bird with Ian and Sylvia. Chip is the drummer The Remains wanted but the band, nonetheless, aced the percussion position with ND, easily one of the very best drummers I ever heard live. Bill Briggs, as The Remains tech guy, was a big part of the band's success. The best equipment and knowing stage set-up were fundamental to what made these four musicians The Remains. This was a highly professional, focused band with what Nancy Neon calls "garage spirit." "Ticket To Ride" by Barry Tashian is one of New England rock history's essential books. A music store in Portsmouth, New Hampshire, displayed a collage made up of various newspaper headlines and notices, each in its own way speaking of The Remains blowing The Beatles off stage. It was great! RiP Chip Damiani.
[This is an expanded version of a comment I posted at the Music Museum of New England's Facebook page. One attachment is a scanned image of a concert poster, of a reunion of The Remains and The Lost, given to me by my friend, Susan Green (RiP), who produced the reunion show.]
Music Museum of New England Remains article
https://www.mmone.org/the-remains/
:
#1960sbands #1960smusic #1960srock #barryandtheremains #barrytashian #beatles #billbriggs #billybriggs #bostonbands #bostonmusic #bostonrock #chipdamiani #garage #garagerock #garagepunk #greatspeckledbird #ianandsylvia #johnhall #kangaroo #lost #mmone #music #musicmuseumofnewengland #musicnews #nancyneon #nemsbk #newenglandbands #newenglandmusic #newenglandrock #pbs #remains #susangreen #thebeatles #thelost #theremains #tickettoride #vernmiller #westportconnecticut #williambriggs
:::
Free download codes:
Slippery When Wet - Ride Hard Die Free: The Harley Biker Song
"Rockin' road music inspired by all the wonderful biker chapters we have met on the desert highways of Arizona"
Outsider Oldies - Arthur Lee & LOVE Special | March 2025
"Host Rich Tupica digs deep into the psychedelic rock and abstract pop catalog of Arthur Lee and Love. Stick around for an hour of some of the best LA '60s rock 'n roll ever recorded."
https://www.nts.live/shows/outsider-oldies/episodes/outsider-oldies-20th-march-2025
THE REMAINS ON PBS
Mastodon Post
We had nothing quite like The Remains until this band came along. Widely known for loudness - loudest band I ever heard was a common expression - The Remains ought to be at least as well known for tightness. One of the bootlegs had a track that, no doubt, was not intended for the public to hear. Vern's bass started out too loud, Barry's vocal was a little tentative. It sounded to me like a song they had just reworked and they recorded it promptly to get the arrangement down for reference in future sessions. Then they came to the refrain and the four just hammered it in really close formation. They transformed instantly from four guys working out a song to THE REMAINS ready to take on the world. It was a terrific thing to hear. Some of the available film footage shows a young Vern Miller characteristically hopping about on stage and Barry answering with hops of his own. "Remains Nights" at the early-1960s incarnation of The Rat were where Boston's highly productive rock scene got its start. When Chip Damiani left the band in the lead-up to the Beatles tour, The Remains added a remarkable drummer, ND Smart II. ND was subsequently in a John Hall group, Kangaroo; and then he was in one of my all-time favorite bands, The Great Speckled Bird with Ian and Sylvia. Bill Briggs, as The Remains tech guy, was a big part of the band's success. The best equipment and knowing stage set-up were fundamental to what made these four musicians The Remains. This was a highly professional, focused band with what Nancy Neon calls "garage spirit." "Ticket To Ride" by Barry Tashian is one of New England rock history's essential books. A music store in Portsmouth, New Hampshire, displayed a collage made up of various newspaper headlines and notices, each in its own way speaking of The Remains blowing The Beatles off stage. It was great! RiP Chip Damiani.
[This is an expanded version of a comment I posted at the Music Museum of New England's Facebook page. The attachment is a scanned image of a concert poster, of a reunion of The Remains and The Lost, given to me by my friend, Susan Green (RiP), who produced the reunion show.]
Music Museum of New England Remains article
https://www.mmone.org/the-remains/
:
#1960sbands #1960smusic #1960srock #barryandtheremains #barrytashian #beatles #billbriggs #billybriggs #bostonbands #bostonmusic #bostonrock #chipdamiani #garage #garagerock #garagepunk #greatspeckledbird #ianandsylvia #johnhall #kangaroo #lost #mmone #music #musicmuseumofnewengland #musicnews #nancyneon #nemsbk #newenglandbands #newenglandmusic #newenglandrock #pbs #remains #susangreen #thebeatles #thelost #theremains #tickettoride #vernmiller #westportconnecticut #williambriggs
:::
The Twangmonkeys-Logo, entworfen 2019, Edding, Tusche, Oliver Blees